TY  - JOUR
AU  - Galenson,David W.
TI  - The Methods and Careers of Leading American Painters in the late Nineteenth Century
JF  - National Bureau of Economic Research Working Paper Series
VL  - No. 11545
PY  - 2005
Y2  - August 2005
UR  - http://www.nber.org/papers/w11545
L1  - http://www.nber.org/papers/w11545.pdf
N1  - Author contact info:
David Galenson
Department of Economics
University of Chicago
1126 East 59th Street
Chicago, IL  60637
Tel: 773/702-8258
Fax: 773/702-8490
E-Mail: galenson@uchicago.edu
AB  - Although American painters of the late nineteenth century were much less influential than their European counterparts, the methods and careers of the leading American artists of the period reflect the same division between visual and conceptual approaches that characterized French art. The conceptual painters Thomas Eakins and John Singer Sargent matured early, and made individual landmark paintings, whereas the experimentalists Mary Cassatt, Winslow Homer, Albert Pinkham Ryder, and James McNeill Whistler developed more slowly, and made their contributions gradually in larger bodies of work. These American artists were less innovative than their French contemporaries, but they created approaches to art no less considered than those of their more famous counterparts.
ER  -