NATIONAL BUREAU OF ECONOMIC RESEARCH
NATIONAL BUREAU OF ECONOMIC RESEARCH

Digitization and the Quality of New Media Products: The Case of Music

Joel Waldfogel


This chapter is a preliminary draft unless otherwise noted. It may not have been subjected to the formal review process of the NBER. This page will be updated as the chapter is revised.

Chapter in forthcoming NBER book Economic Analysis of the Digital Economy, Avi Goldfarb, Shane Greenstein, and Catherine Tucker, editors
Conference held June 6-7, 2013
Forthcoming from University of Chicago Press

Although recorded music revenue has collapsed since the explosion of file sharing, results elsewhere suggest that the quality of new music has not suffered. One possible explanation is that digitization has allowed more firms to bring music to market using lower-cost methods of production, distribution, and promotion. Forces increasing the number of products released may allow consumers to discover more appealing choices if they can sift through the offerings. Digitization has promoted Internet radio and online music reviewers, providing alternatives to radio airplay as means for new product discovery. To explore this, the author assembles data on new music released between 1980 and 2010, and on particular albums' sales, airplay on traditional and Internet radio, and album reviews at Metacritic since 2000. He documents that the total quantity of new albums released annually has increased sharply since 2000, driven by independent labels and purely digital products. Second, increased availability has been accompanied by reduced concentration of sales in the top albums. Third, new information channels change the number and kinds of products about which consumers have information. Fourth, more albums find commercial success without substantial traditional airplay. Finally, independent label albums account for a growing share of commercially successful albums.

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This paper was revised on May 9, 2014

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