University of Chicago
NBER Working Papers and Publications
|June 2008||From the New Wave to the New Hollywood: The Life Cycles of Important Movie Directors from Godard and Truffaut to Spielberg and Eastwood|
with David Galenson: w14150
Two great movie directors were both born in 1930. One of them, Jean-Luc Godard, revolutionized filmmaking during his 30s, and declined in creativity thereafter. In contrast, Clint Eastwood did not direct his first movie until he had passed the age of 40, and did not emerge as an important director until after 60. This dramatic difference in life cycles was not accidental, but was a characteristic example of a pattern that has been identified across the arts: Godard was a conceptual innovator who peaked early, whereas Eastwood was an experimental innovator who improved with experience. This paper examines the goals, methods, and creative life cycles of Godard, Eastwood, and eight other directors who were the most important filmmakers of the second half of the twentieth century. Francis Ford...
Published: David W. Galenson & Joshua Kotin, 2010. "From the New Wave to the New Hollywood," Historical Methods: A Journal of Quantitative and Interdisciplinary History, vol 43(1), pages 29-44.
|July 2005||Filming Images or Filming Reality: The Life Cycles of Movie Directors from D.W. Griffith to Federico Fellini|
with David W. Galenson: w11486
Why have some movie directors made classic early films, but subsequently failed to match their initial successes, whereas other directors have begun much more modestly, but have made great movies late in their lives? This study demonstrates that the answer lies in the directors' motivations, and in the nature of their films. Conceptual directors, who use their films to express their ideas or emotions, mature early; thus such great conceptual innovators as D. W. Griffith, Sergei Eisenstein, and Orson Welles made their major contributions early in their careers, and declined thereafter. In contrast experimental directors, whose films present convincing characters in realistic circumstances, improve their techniques with experience, so that such great experimental innovators as John Ford, Alf...
Published: David W. Galenson & Joshua Kotin, 2007. "Filming Images or Filming Reality: The Life Cycles of Important Movie Directors from D. W. Griffith to Federico Fellini," Historical Methods: A Journal of Quantitative and Interdisciplinary History, vol 40(3), pages 117-134.